Three hours...
Three mindbendingly dull hours...
Three mindbendingly dull hours I'll never get back...
To understand how I feel about Pirates of the Carribean: Blah, Blah, Blah... all you need to know is that a major plot point involves all of the Pirate Lords converging on a place called Shipwreck Island to engage in...A MEETING! A ROUNDTABLE FRIGGING DISCUSSION! They could have booked a fucking Marriott in Singapore or wherever the hell they were, but they go instead to Shipwreck Island, a name which promises, but fails to deliver, actual shipwrecks. (I understand in the first draft of the screenplay of INDIANA JONES AND THE TEMPLE OF DOOM, Mola Ram holds a thirty-minute seminar in the Temple of Doom--complete with slides and a generous Q&A session--about the votive objects of the Kali Cult and the veracity of heart-removal legends. Impatient, Indiana Jones cracks his bullwhip and asks several pointed questions about Mola Ram's scholarship.) This is the key symptom of POCBBB's mortal disease. There isn't a promise that this movie makes that it doesn't break. Instead of a streamlined, amusing comic adventure starring Johnny Depp as the world's feyest buccaneer, we get nothing but a parade of special effects, rambling psychotic explanations, and battle scenes notable for their lack of actual battle.
In this movie, two huge fleets of warships line up to have a fight that promises to make Trafalgar look like a sculling contest between the Harvard and Princeton alums. Do they do battle? Keira Knightley gives a speech that supposed to be a rousing, St. Crispin's Day/Braveheart style address to the pirate sailors to prepare them for such a battle. But in the end, only two ships fight. They then carry the battle to a third ship--the one carrying the movie's major villain. Does the Major Villain fight back? No! Does he call upon his big ass fleet to help? No! He stands there and lets the two ships blow him off the water. Why? I don't know!
And it's not as if the movie didn't try to explain! The first two hours consist of little besides explanations, endless, painful, impenetrable explanations whose every word added another layer of confusion. The el-cheapo-stinko movie The Cave Dwellers has a famously bad scene in which a boring old guy calls time out on the movie he's in to summarize, for twenty minutes or so, the previous movie in the series. But with the bigger budgets that Jerry Bruckheimer can muster, everybody gets a whack at being the boring old guy. The result is a narrative so convoluted, so unfocused, that for all its supposed intricacy it feels more like a story a four-year-old is making up as he goes along.
If I were religious, I'd want to know just how much penance this movie counts for.
Tuesday, May 20, 2008
Pirates of the Carribean: At World's End
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